Othello
this weekend in London

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Othello

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Shakespeare's tragedy of jealousy and manipulation unfolds as love, trust and military honour are turned against Othello.

⭐4.6/5 based on 13 reviews

Things to Know Before You Go

Updated: Thu 16 Jul, 18:00 London time

Is there a Saturday matinee for Othello this weekend?

No Saturday performance this weekend.

What time does the Othello Sunday show start this weekend?

No Sunday performance this weekend.

What's the cheapest Othello performance this weekend?

Check the performance list above for prices.

PJ Harvey's score — what does it actually sound like inside an Othello?

Sparing, weather-systems-y. Harvey doesn't write underscore in the conventional sense; she gives Tom Morris occasional cuts — a folk-tinged drone here, a percussive squall before the Cyprus scenes — and otherwise the play breathes. If you know her recent records (A Dog Called Money, I Inside the Old Year Dying) you'll recognise the palette. It works because it isn't trying to be a film soundtrack; the silence around Iago is left intact.

Toby Jones as Iago against David Harewood's Othello — does the casting do what you'd expect?

Not quite, which is the interest. Jones plays Iago small, fast, ingratiating — more middle-management resentment than the usual sinewy villain. Harewood, who famously played Iago himself at the National in the 90s, is bigger, slower, more wounded. The dynamic keeps the audience on Iago's side longer than is comfortable. That's the point.

Theatre Royal Haymarket — anywhere to avoid for sightlines on something this intense?

The Haymarket is one of John Nash's gems and the auditorium curves gently, so most of the stalls and dress circle behave themselves. The thing to know: the upper circle has a real overhang from the back of the dress circle, and anything above row F upper circle starts losing the top of the set. For an Othello, which is staged tight against the proscenium, the dress circle from row C back is the sweet spot.

Do I need to know Shakespeare well to follow Othello?

No. The story is clear even if this is your first encounter with Shakespeare. The production uses strong visual storytelling and detailed performances to help you follow the relationships, and you quickly become accustomed to the language.

What is Othello about?

Othello follows a celebrated general whose new marriage and position make him vulnerable to jealousy and manipulation. His trusted ensign, Iago, exploits Othello’s insecurities, twisting small doubts into a catastrophic loss of trust, with tragic consequences for everyone around them.

How long does this production of Othello run?

The running time is approximately 2 hours 45 minutes, including an interval. The evening is structured so that the tension builds steadily, with a clear break in the middle to catch your breath.

Is Othello suitable for younger audiences?

Othello contains themes of racism, domestic violence and psychological manipulation, as well as some strong language and intense scenes. It is generally more suitable for older teenagers and adults. If you are considering bringing a teenager, it can be helpful to discuss the themes in advance.

What is the staging style of this production?

This production combines a relatively uncluttered stage with strong lighting, sound and music to create atmosphere. The focus is on the actors and their relationships, but the design helps to underline the shifts in power and mood throughout the story.

Is Othello a good choice if I usually prefer lighter plays?

Othello is one of Shakespeare’s darker tragedies, so it may not suit you if you are looking for a light-hearted evening. However, if you are curious about seeing a powerful, beautifully performed drama that feels relevant to modern discussions about power and prejudice, it is a compelling option.

About this show

Shakespeare’s tragedy of jealousy and power is reimagined in this bold new production of Othello at the Theatre Royal Haymarket. David Harewood, Toby Jones and Caitlin FitzGerald lead an exceptional cast in a story that moves from intimate romance to chilling paranoia as trust begins to fracture. Tom Morris’s staging, with music by PJ Harvey, places Othello’s downfall in a world that feels unsettlingly close to our own, where ambition, manipulation and prejudice feed off each other. This is a tense, contemporary Othello for audiences who want Shakespeare to feel urgent rather than distant, while still honouring the poetry that makes the play a masterpiece.