Garrick's Temple to Shakespeare
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Garrick's Temple to Shakespeare

An 18th-century riverside ‘folly’ built by actor-manager David Garrick as a private temple to Shakespeare and to his own theatrical ideals. The small Palladian building centres on a statue of Shakespeare after Roubiliac and hosts displays about Garrick’s career, celebrity and Georgian theatre culture.

Opening Hours

Daily: 2:00 PM – 5:00 PM

What's not to miss inside?

Shakespeare Statue Niche

Garrick commissioned a life-size Shakespeare for the focal niche, making the dramatist an object of neoclassical veneration.

Roubiliac’s widely copied image frames Shakespeare as inspired author, not mere playwright-for-hire—key to the 18th-century ‘bardolatry’ Garrick helped launch.

Study the pose and scroll; compare to printed portraits to see how sculpture fixed the modern ‘look’ of Shakespeare.

📍 Rotunda interior

Garrick’s Theatre World

Prints, playbills and portraits sketch Garrick’s rise from provincial actor to national celebrity and Drury Lane impresario.

Benefit nights, advertising and portrait engravings reveal how the Georgian stage invented modern fame.

Follow one title page to its cast list; note how billing order signals rank within the company.

📍 Display cases inside the temple

Palladian Design in Miniature

Ionic portico, central cella and balanced proportions translate grand villa language into a garden-scale building.

It’s architecture as argument: classical form for ‘classical’ drama.

Stand square to the portico; read column spacing and entablature lines like beats in verse.

📍 Exterior and portico

Inspire your Friends

  1. Garrick linked house and temple with an underground passage beneath the Hampton Court Road so guests could process to the riverside ‘sanctum’ without crossing traffic at ground level.
  2. The temple was part theatre-museum, part set piece: Garrick staged readings and entertainments here, using the building itself as a prop for Shakespearean celebration.
  3. Roubiliac’s Shakespeare for Garrick became one of the era’s defining images of the Bard; later copies and variants helped standardise the sculptural iconography you still see today.