Opening Hours
What's not to miss inside?
Dr John Langdon Down & Normansfield
Sets the context for Langdon Down’s 1860s work classifying ‘Mongolian idiocy’—now recognised as Down’s syndrome—and founding a model residential school and hospital.Photographs, case notes and early teaching materials show a shift from containment to structured education and dignity in care.
📍 Introductory gallery
Normansfield Theatre
A Grade II* Victorian private theatre with original stage machinery, painted scenery and a ‘sun-burner’ ventilation fitting.Performance was considered therapeutic: the building embodies 19th-century ideas of moral treatment through music and drama.
📍 On site, by tour
James Henry Pullen: Model-Making & Art
Works by the celebrated ‘Genius of Earlswood’—intricate ship models and drawings—illustrate neurodivergent creativity in Victorian institutions.Pullen’s meticulous craft challenges stereotypes about ability and expression under confinement.
📍 Dedicated display
From Eugenics to Advocacy
Tracks the 20th-century arc from harmful policies and segregation to rights-based approaches led today by the Down’s Syndrome Association.Objects and posters map changing ethics, law and self-advocacy.
📍 Later-history section
🤓 Fun Facts
The Normansfield Theatre’s ‘sun-burner’ combined lighting and ventilation—a glazed ceiling rose that vented heat and fumes up a flue, a cutting-edge solution in the 1870s.
Langdon Down’s descriptive paper (1860s) helped standardise clinical recognition of the syndrome; the eponym remained in medical use even as its early terminology was discarded.
James Henry Pullen (1835–1916) built complex models—famously ships—often using self-fashioned tools; examples at the centre link his Earlswood output to wider conversations about disability and art.